![]() Their approach to process is no less fecund as it encompasses pure sound over rhythmic structures. ![]() With the release of their new album Vertigo, there’s an extended tendency towards drone minimalism apparent in Mindset and Open enhanced spatiality inundated with a colour density akin to Spectralism's expanded palette. Its single, hour-long title track is a logical culmination of the direction set by their 1989 debut Sex, a concluding thesis of groove-based jazz before the incorporation of post-rock textures and reductionist silences on Aether, Mosquito/See Through and Chemist. Their seventh album Hanging Gardens, released in 1999 on their Fish of Milk label and then internationally two years later on ReR Megacorp, is an exemplary display of pianist Chris Abrahams, bassist Lloyd Swanton and drummer/guitarist Tony Buck’s collective gestalt. For almost 30 years now, Australian trio The Necks have been pursuing a singular methodology: process-oriented improvisation unfolding within the interstice of jazz and minimalism.
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